while no Saypuri can go a day without thinking of how their ancestors lived in abysmal slavery, neither can they go an hour without wondering – Why? Why were they denied a god? Why was the Continent blessed with protectors, with power, with tools and privileges that were never extended to Saypur? How could such a tremendous inequality be allowed?
The Continent used to be powerful, magical, and blessed by the Divinities. Now it's occupied by the Saypuri, who used to be the Continentals' slaves. City of Stairs is set a generation or so after the Blink -- a moment in which, after a Divinity was killed by a Saypuri rebel (the Kaj), the works of all six Divinities were ... unmade, causing devastation across the Continent as the things that they built and maintained crumble away. Some miracles still persist: there are smooth opaque walls around the city of Bulikov, which nevertheless allow the inhabitants to see the sunrise. But the Worldly Regulations prohibit the Continentals from any public mention of the Divine, and stray miraculous artifacts are kept locked away in a secret repository.
Governer Turyin Mulaghesh is overseeing a Worldly Regulations trial when she receives news that a Saypuri scholar has been found murdered. Shortly thereafter, the new Saypuri Cultural Ambassador arrives: a woman calling herself Shara Komayd, accompanied by her 'secretary', the taciturn and violent Sigrud. Shara's aunt Vinya is Minister of Foreign Affairs: Shara and Sigrud have spent years cleaning up traces of the Divine in the half-ruined cities of the Continent. Shara is more than just a Cultural Ambasador, and she and Mulaghesh set out to solve the mystery of Dr Efrem Pangyui's death. The situation is complicated by the rise to power of Vohannes Votrov, who happens to be Shara's ex-boyfriend; the Restorationists, who resent the Saypuri occupation and are very interested in the production of steel; an assassin who disappears mid-leap; a fearsome mythical monster in the river; and the glimpses of a gleaming cityscape of white and gold. Perhaps the Divinities are not as dead as the Saypuri would like them to be.
I'm glad this is the first of a trilogy, because I'm eager to find out more about the world. The Saypuri, quite aside from mourning and raging over centuries of slavery, are still arguing about why it was the Continent which got the Divinities, and not them. And why did the Divinities need the Saypuri to provide labour and produce resources? Why not just work a miracle or two?
It's worth noting that the Saypuri are dark-skinned, the Continentals pale; also that the two main characters are both middle-aged women. (In this world, it is unremarkable that women occupy positions of power.) Continental society is considerably more conservative than Saypuri society. Bennett has plenty to say about colonialism and post-colonialism, and it's refreshing to have a setting that feels less European than Indian. I'm not wholly convinced by the technological level, which seems inconsistent (railways but very little steel?) and there were moments where the characterisation seemed to falter. Also, I was unhappy with the off-stage fate of a homosexual character. Overall, though, I enjoyed this so very much that I immediately bought and read the second book. Review tomorrow :)